CHRIS WHEELER: Carrick had talks with minority owner Ratcliffe at Carrington on Monday but is still waiting to find out if he will get the full-time job.

Millions across the Southeast have been warned to stay indoors as toxins pour into the air from an outbreak of dangerous wildfires.

Based on the morning skate, Lyon should take Ukko-Pekka Luukkonen's place in net for Buffalo.

... Read more With DC getting ready to unleash Clayface on the big screen, I keep coming back to the version of the character that, for me, set the bar impossibly high. It isn’t from a comic run or a modern reinvention. It’s from Batman: The Animated Series, the devastating arc that unfolds in the episodes “Feat of Clay” and “Mudslide.”This isn’t just one of my favorite Clayface stories. It’s one of my favorite Batman stories, period. What makes this arc so powerful is how grounded it feels before everything spirals into nightmare territory. Matt Hagen is introduced as a fading actor, clinging to relevance in an industry that’s already moved on. That alone is a brutal setup. There’s something heavy about watching someone try to hold onto an identity that’s slipping through their fingers. Then the story pushes that idea into horror.Hagen’s connection to Roland Daggett is where things take a dark turn. Daggett offers access to Renuyu, a compound that can reshape a person’s face. At first glance, it feels like a miracle. For Hagen, it means he can still be the version of himself that the world accepts. But the more you sit with it, the more unsettling it becomes. His identity isn’t his anymore. It’s something he has to maintain with a substance that someone else controls.That’s where the psychological horror starts to creep in. Hagen becomes dependent on Renuyu, not just physically but mentally. He isn’t just afraid of losing his looks. He’s terrified of losing himself. The show frames this in a way that feels eerily real. Addiction, control, and self-image.Then comes the transformation. It isn’t treated like a triumphant comic book moment. It’s a complete breakdown. When Hagen is exposed to a massive dose of the compound, his body doesn’t evolve. It collapses into something unstable and monstrous. His face stretches, melts, reforms. He can’t hold onto a single version of himself. It’s body horror in its purest form, and it’s handled in a way that still feels intense and horrific all these years later.But what really gets under my skin is what that transformation represents. Clayface isn’t just a shapeshifter. He’s a man who has lost any fixed sense of identity. He can be anyone, which means he’s no one.“Mudslide” takes that idea and pushes it even further into tragedy. By the time we catch up with Hagen again, he’s falling apart. Literally. His body can’t maintain structure, and every attempt to transform accelerates the damage. There’s no control left. No illusion of stability. Just decay.This is where the story shifts from horror to something even heavier. It becomes about inevitability. Stella Bates enters as a glimmer of hope. She represents the possibility that Hagen can still be saved, that there’s something left of the man he used to be. And for a brief moment, the story lets you believe that might actually happen.That hope is what makes everything that follows hurt even more. Hagen can’t let go of what he’s become, even as it destroys him. He’s trapped between wanting to be human again and needing the very thing that’s killing him. It’s a brutal psychological loop. The more desperate he gets, the more unstable he becomes, and the more he pushes away the only person trying to help him.Watching that unravel is tough. Not because of the action, but because of the emotion behind it. You’re not rooting for Batman to win. You’re watching a man lose what little he has left, and when Hagen finally starts to break down completely, it feels less like a defeat and more like a collapse that was always coming.That’s what makes this story arc so great, is that it isn’t about stopping a villain. It’s about witnessing a tragedy unfold in slow motion.As a fan, this version of Clayface has always stood above the rest. It’s messy, uncomfortable, and sad as hell. It leans into horror without losing sight of the human story at its core. That balance is hard to pull off, and somehow Batman: The Animated Series nailed it in a way that is timeless.With the Clayface movie on the way, directed by James Watkins and written by Mike Flanagan, I can’t help but hope that they embrace the psychological horror, the identity crisis, and the raw emotional weight of Hagen’s story, this movie could end up being something truly special. Flanagan has said Batman: The Animated Series was the inspiration behind this film, so that’s exciting! If there’s one thing Batman: The Animated Series proved, it’s that Clayface isn’t just a cool visual or a shapeshifting body-horror gimmick. He’s one of the most tragic figures in Gotham, and that’s what makes him so interesting. Show less

 

No one injured in blaze early Thursday, April 23

It is hard to imagine the grouping enduring another two and a half years of Trump.

No one injured in blaze early Thursday, April 23

No one injured in blaze early Thursday, April 23

AT 1230 STARTS RIGHT NOW. WE BEGIN AT 1230 WITH STUNNING NEW ALLEGATIONS CONCERNING PATRIOTS HEAD COACH MIKE VRABEL. PAGE SIX HAS JUST PUBLISHED NEWLY OBTAINED PHOTOS OF VRABEL AND REPORTER DIANNA ... Read more AT 1230 STARTS RIGHT NOW. WE BEGIN AT 1230 WITH STUNNING NEW ALLEGATIONS CONCERNING PATRIOTS HEAD COACH MIKE VRABEL. PAGE SIX HAS JUST PUBLISHED NEWLY OBTAINED PHOTOS OF VRABEL AND REPORTER DIANNA RUSSINI FROM SIX YEARS AGO TOGETHER IN A NEW YORK CITY BAR. AND IN ONE PHOTO, THEY APPEAR TO BE KISSING. THE PAGE [...] The post New Vrabel, Russini photos published hours before NFL draft first appeared on Boston Sports News. Show less